Jimmy baca coming into language essay

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Print book : Biography : English. View all subjects. The child in the dark room of my heart, who had never been able to find or reach the light switch, flicked it on now; and I found in the room a stranger, myself, who had waited so many years to speak again. My words struck in me lightning crackles of elation and thunderhead storms of grief. When I had been in the county jail longer than anyone else, I was made a trustee. One morning, after a fistfight, I went to the unlocked and unoccupied office used for lawyer-client meetings, to think.

The bare white room with its fluorescent tube lighting seemed to expose and illuminate my dark and worthless life. When I had fought before, I never gave it a thought. Now, for the first time, I had something to lose—my chance to read, to write; a way to live with dignity and meaning, that had opened for me when I stole that scuffed, second-hand book about the Romantic poets.

The captain flicked off the tape recorder. After that interview I was confined to deadlock maximum security in a subterranean dungeon, with ground-level chicken-wired windows painted gray. Twenty-three hours a day I was in that cell. Then, just before Christmas, I received a letter from Harry, a charity house Samaritan who doled out hot soup to the homeless in Phoenix.

He had picked my name from a list of cons who had no one write to them. Pacing my cell all day and most of each night, I grappled with grammar until I was able to write a long true-romance confession for a con to send to his pen pal.

He paid me with a pack of smokes. Soon I had a thriving barter business, exchanging my poems and letters for novels, commissary pencils, and writing tablets. One day I tore two flaps from the cardboard box that held all my belongings and punctured holes along the edge of each flap and along the border of a ream of state-issue paper. After I had aligned them to form a spine, I threaded the holes with a shoestring, and sketched on the cover a hummingbird fluttering above a rose.

This was my first journal. Whole afternoons I wrote, unconscious of passing time or whether it was day or night. Sunbursts exploded from the lead tip of my pencil, words that grafted me into awareness of who I was; peeled back to a burning core of bleak terror, an embryo floating in the image of water, I cracked out of the shell wide-eyed and insane. Trees grew out of the palms of my hands, the threatening otherness of life dissolved, and I became one with the air and sky, the dirt and the iron and concrete.

There was no longer any distinction between the other and I. Language made bridges of fire between me and everything I saw. At night I flew. I conversed with floating heads in my cell, and visited strange houses where lonely women brewed tea and rocked in wicker rocking chairs listening to sad Joni Mitchell songs. Before long I was frayed like rope carrying too much weight, that suddenly snaps. I quit talking. Bars, walls, steel bunk and floor bristled with millions of poem-making sparks.

My face was no longer familiar to me. The only reality was the swirling cornucopia of images in my mind, the voices in the air. The prison administrators tried several tactics to get me to work.

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For six months, after the next monthly prison board review, they sent cons to my cell to hassle me. I did a lot of isolation time. But I honed my image-making talents in that sensory-deprived solitude. As the months passed, I became more and more sluggish. My eyelids were heavy, I could no longer write or read.

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I slept all the time. One day a guard took me out to the exercise field. For the first time in years I felt grass and earth under my feet. It was spring. The sun warmed my face as I sat on the bleachers watching the cons box and run, hit the handball, lift weights. Some of them stopped to ask how I was, but I found it impossible to utter a syllable. My tongue would not move, saliva drooled from the corners of my mouth. I had been so heavily medicated I could not summon the slightest gestures. Yet inside me a small voice cried out, I am fine!

I am hurt now but I will come back!

Coming Into Language

Back in my cell, for weeks I refused to eat. Styrofoam cups of urine and hot water were hurled at me. Other things happened. There were beatings, shock therapy, intimidation. Later, I regained some clarity of mind. But there was a place in my heart where I had died. My life had compressed itself into an unbearable dread of being.

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The strain had been too much. I had stepped over that line where a human being has lost more than he can bear, where the pain is too intense, and he knows he is changed forever. I was now capable of killing, coldly and without feeling. I was empty, as I have never, before or since, known emptiness. I had no connection to this life. But then, the encroaching darkness that began to envelop me forced me to re-form and give birth to myself again in the chaos.

Words gave off rings of white energy, radar signals from powers beyond me that infused me with truth. I believed what I wrote, because I wrote what was true. My words did not come from books or textual formulas, but from a deep faith in the voice of my heart. I had been steeped in self-loathing and rejected by everyone and everything—society, family, cons, God and demons. But now I had become as the burning ember floating in darkness that descends on a dry leaf and sets flame to forests. The word was the ember and the forest was my life….

Writing bridged my divided life of prisoner and free man. I wrote of the emotional butchery of prisons, and my acute gratitude for poetry. Where my blind doubt and spontaneous trust in life met, I discovered empathy and compassion.

Writing was water that cleansed the wound and fed the parched root of my heart. I wrote to sublimate my rage, from a place where all hope is gone, from a madness of having been damaged too much, from a silence of killing rage.

Coming Into Language

I wrote to avenge the betrayals of a lifetime, to purge the bitterness of injustice. I wrote with a deep groan of doom in my blood, bewildered and dumbstruck; from an indestructible love of life, to affirm breath and laughter and the abiding innocence of things. I wrote the way I wept, and danced, and made love. Are you an artist at risk or know someone who is?

jimmy baca coming into language essay Jimmy baca coming into language essay
jimmy baca coming into language essay Jimmy baca coming into language essay
jimmy baca coming into language essay Jimmy baca coming into language essay
jimmy baca coming into language essay Jimmy baca coming into language essay
jimmy baca coming into language essay Jimmy baca coming into language essay
jimmy baca coming into language essay Jimmy baca coming into language essay
jimmy baca coming into language essay Jimmy baca coming into language essay
jimmy baca coming into language essay Jimmy baca coming into language essay

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